《goHellgo 去地獄》是由前AliceSoft成員「いってんちろく」擔任製作人AizenProduction開發的原創作品。由於主要開發者曾參與《ドーナドーナ》（DoHna DoHna），在TGS2023公開時便立刻吸引玩家的高度關注。角色設計由てつぶた負責，劇本由もみあげルパンR撰寫，音樂由ゆうきねこ創作，而發行商Entergram 更是首次以原創IP推出家用主機遊戲，讓作品的話題性更加高漲。

舞台設定在一個混亂、荒誕、充滿黑色幽默的地獄世界。主角8246（ヤツシロ）是一名負責清掃亡者的鬼，以引導亡者並維持地獄秩序為生。然而，在某次例行工作中，他遇到剛墜入地獄的少女灯（トモリ）。按規矩，亡魂本該接受折磨，但8246想改善自己窮困的生活，竟突發奇想地把灯「改造成公司員工」。這個看似無心的舉動，卻開始撼動整個地獄的運作方式，人事權力、系統架構乃至地獄的根本，都逐漸受到影響。故事從一個窮鬼與迷途亡者的奇妙合作開始，逐步擴大到混亂、衝突，最後碰觸地獄的本質秘密。劇情延續《ドーナドーナ》那種表面輕快、色彩鮮豔、帶著戲謔感的呈現方式，但內裡依然隱藏著殘酷、無情與意外令人鼻酸的深度。

主要角色各具鮮明個性，帶有漫畫式誇張表現與濃厚喜劇感。主角8246使用金棒與角狀裝置，是隊伍中攻擊力最強、耐久最高的可靠前衛。灯在死後被送往地獄，卻因主角的奇想成為員工，是從序盤到終盤都十分實用的熱屬性輸出角色。一ノ瀬則是地獄總務課的菁英，與8246有奇妙的舊識關係，她擅長帶有弱化效果的全體攻擊，是對抗Boss的關鍵人物。イアイドー則有古代武士般的氛圍，依靠自我強化後的強力斬擊造成毀滅性傷害；地獄公使這位穿著怪異的少女擅長毒屬性與控場Debuff；ME ヽzz為隊伍中唯一能穩定治療的角色；而鬼戮きりく則以超高爆擊率與TEC成為恐怖的暴擊輸出；レッカ則是追逐財富的神祕人物，開局便能用帶DEF Debuff的強大奧義。這些角色構成方式讓戰鬥策略與隊伍搭配始終充滿變化樂趣。

玩法結合「地獄經營」、「亡者管理」、「地圖探索」與「戰鬥RPG」四大要素，並延續《ドーナドーナ》的核心設計理念。在「地獄全景」區域可進入公司、商店、地下城與地獄處理場，而每天能與一位員工交流，以提升能力與好感。在公司管理部分，玩家能查看獲利、管理裝備與亡者，並透過LP與LLv系統提升角色能力，這份系統簡化先前的親密度機制，卻保留其養成樂趣。地獄系統則是本作的核心特色，玩家需將清掃所得的亡者送入不同地獄，依適合度獲得金錢或額外能力，但同時也可能引發悲劇性後果，例如員工遭亡者化等黑暗劇情。

地下城探索則採一步一格的方式進行，途中可能遭遇戰鬥、寶箱、事件或增益減益格。戰鬥為回合制，強調速度、屬性相剋與Buff/Debuff的組合。若能在限定回合內擊敗敵人能獲得更高報酬，而讓8246出現在前線更能提升隊伍的LP獲得量。

本作的評價中，女角塑造尤其受到好評，即使因家用平台審查使部分內容受限，角色魅力仍舊鮮明，各式交流事件與角色專屬劇情深受玩家喜愛。OP 動畫同樣話題十足，主題曲《劫獄行↓↓↓Narakham ket》節奏強烈、風格鮮明，搭配粗獷漫畫式的影像，讓許多玩家視之為作品代表特色之一。此外，地獄送りユニーク 系列劇情給玩家強烈情緒衝擊，有人覺得虐心深刻，也有人認為爽快痛快，但也因部分內容過於壓抑而評價兩極。

然而遊戲也有其缺點，例如地獄全景的UI操作不夠直覺，找尋地點不易，甚至出現圖示異常的Bug；部分功能在出錯狀態下仍可操作，可能造成亡者數據異常或系統錯亂。此外，亡者管理的容錯率偏低，部分玩家認為過於繁瑣，容易陷入重複作業感。總體來說，《goHellgo 去地獄》是風格強烈且個性鮮明的作品，結合經營、探索、養成與黑色幽默，世界觀與角色魅力皆十分突出。對《ドーナドーナ》的粉絲而言更是必玩之作，而喜愛荒誕、深刻、帶有暗黑與些許情色元素的玩家，更能從這場地獄之旅中找到獨特樂趣。若能接受其沈重題材與略顯繁複的系統，那麼這款作品絕對值得一試。

goHellgo: To Hell is an original title produced by ittenshi roku, a former member of AliceSoft, and developed by AizenProduction. Because several staff members previously worked on DoHna DoHna, the game drew significant attention from players and adult-game communities when it was first revealed at TGS 2023. Character design is handled by tetsubuta, the scenario is written by Momiage Lupin R, and the soundtrack is composed by Yuuki Neko. Publisher Entergram also took a major step by releasing an entirely original title for home consoles for the first time.

The story takes place in a chaotic, absurd, and darkly humorous “Hell World.” The protagonist, 8246 (Yatsushiro), is a demon whose job is to guide and “clean up” the dead, barely making a living through this work. His routine changes the day he meets Tomori, a young girl who has just fallen into Hell. According to Hell’s rules, Tomori should suffer torture, yet 8246 impulsively decides to “hire” her as a company employee in hopes of improving his impoverished life. This seemingly trivial act sets off a chain reaction that disrupts Hell’s order, authority structure, and even its very foundations. What starts as a small crack in the relationship between a penniless foreman and a lost soul gradually spirals into chaos, conflict, and revelations connected to the core secrets of Hell. Much like DoHna DoHna, the narrative mixes a colorful, playful tone with cruelty, bleakness, and occasional emotional heaviness beneath the surface.

The cast features distinctly eccentric characters whose personalities and speech patterns often carry a manga-like exaggeration. 8246, the protagonist, wields a kanabō and horn-shaped device, boasting the highest HP and strongest direct attacks. Though sloppy in daily life, he becomes highly dependable in combat. Tomori, the girl forced into employment, specializes in heat-element skills and full-screen attacks, remaining one of the most reliable damage dealers throughout the game. Ichinose, an elite member of Hell’s General Affairs Division and an old acquaintance of 8246, provides crucial full-screen attacks with ATK debuffs, making her indispensable in boss battles. The mysterious swordsman Iaidō focuses on self-enhancement and powerful slash-element strikes, while the flamboyant Hell Envoy acts as a controller using poison and various debuffs. MEヽzz, a medical-device-turned-robot, is the team’s only true healer. Kiriku, feared as a disaster-class being, possesses extremely high critical rates and technical stats, becoming a terrifying burst attacker. Rekka, a fortune-seeking wanderer, starts out with a special move that automatically applies a DEF debuff. Together, the cast reflects the series’ signature blend of dark humor, quirky personalities, and tactical variety.

Gameplay combines Hell management, soul processing, dungeon exploration, and turn-based RPG combat, carrying the design DNA of DoHna DoHna. The Hell Panorama serves as an overworld where players access 8246’s company, stores, dungeons, and—most importantly—the Soul Processing Facility. You can interact with one employee daily to improve their affection and combat strength. Inside the office, players manage save data, revenue, equipment, and soul assignments. The LP and LLv systems function similarly to the intimacy system in DoHna DoHna, though in a more streamlined format.

The Soul Processing system is one of the game’s most distinctive elements. Souls collected during dungeon “cleaning” can be sent into Hell to earn money. Each Hell type differs in base profit, element compatibility, soul-decay rate, and the chance of granting random additional abilities. Using Hell facilities also unlocks story events and resources, though its darker implications extend to the possibility of converting employees into souls, affecting both gameplay and narrative.

Dungeon exploration is tile-based, with each step potentially triggering battles, treasures, events, or buff/debuff tiles. Combat is turn-based and emphasizes speed, elemental advantage, and buff/debuff tactics. Winning within a set number of turns grants extra rewards, and having 8246 on the front line further increases LP gains.

The game is widely praised for its female characters, whose interactions, personality development, and unique Hell-related events maintain the charm reminiscent of DoHna DoHna despite stricter console content regulations. The opening video is particularly celebrated; its theme song, “劫獄行↓↓↓Narakham ket,” matches the game’s dark yet energetic tone, with bold visuals and striking colors that players regard as one of the title’s major highlights. The “Hell Dispatch Unique Events,” which trigger when sending certain characters to Hell, have received mixed opinions—some are heartbreaking, some satisfyingly punitive, while others feel emotionally heavy. As this theme is central to the producer’s style, reactions largely come down to personal taste.

However, the game is not without flaws. The UI of the Hell Panorama is frequently criticized for being unintuitive, making navigation inconvenient. Some icons also display incorrectly, and certain actions remain selectable even under invalid conditions, occasionally causing players to send nonexistent souls to Hell and triggering system errors. Additionally, soul management has a low margin of error, leading some players to feel overwhelmed by repetitive tasks.

Overall, goHellgo: To Hell is a stylish and uniquely flavored game that blends management, exploration, character building, and dark humor into a cohesive experience. With its striking art, charismatic cast, and distinctive worldbuilding, it especially appeals to fans of DoHna DoHna. Though some may find its darker elements and complex management systems burdensome, the game is deeply rewarding for those who appreciate its tone. Players drawn to eccentric, mature, absurd, and black-humored Japanese games will find this hellish journey well worth exploring.